K. GALINSKY: Augustan Culture. an Interpretive Introduction. + , 6 pls, ills . Princeton: Princeton University Press, Cased, $/? Buy Augustan Culture: An Interpretive Introduction New Ed by Karl Galinsky ( ISBN: ) from Amazon’s Book Store. Everyday low prices and free . With Augustan Culture, Karl Galinsky has offered the most important single volume about the Augustan period since Zanker’s Power of Images. Galinsky’s.
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Greek art, architecture, and literature provided a capacious repertory whose components now could be used synchronically in conjunction with inspiration drawn from the Roman tradition” Beausephus rated it really liked it Oct 03, This is only true if Galinsky is referring to Augustus as portrayed in the quadriga in front of the Mars temple, or if Menichetti’s assumption, cited above, that the colossus at the end of the northwest colonnade originally portrayed Alexander the Great, is incorrect.
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Galinsky’s discussion of this document is very thorough with the minor exception of his cursory treatment of the deification of Julius Caesaran event much more profound than his treatment at this juncture would suggest.
Galinsky examines the famous epigram of Martial that quotes the emperor’s erotic verse. Citing Keuls, Galinsky mentions that the grief of the Danaids generally parallels that of Aeneas Augustus’ program was, after all, aggressive. Though Galinsky views Suetonius’ assessment of Augustus’ ruthless side as “the lesson learned from Caesar’s clemency”he nevertheless does admit that it is something difficult to accept.
The poetic environment that Propertius creates, if more like the day-to-day world of the urbs, is nevertheless quicker to take up the mythological exempla of epic.
Herbert rated it it was amazing Mar 12, Rioting and general unrest led the senate to bestow on him imperium consulare for life. The changing of his name to Augustus may not have had a clear precedent, but it had lasting effect. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
Without cookies your experience may not be seamless. In other words, this book should not merely be consulted. Galinsky notes that the Roman “response to chaos” has itself been thoroughly chaotic in the last century of the republic, citing the particularly stark example of the flamen dialis, which was vacant from 87 until just after Augustus became Pontifex Maximus near the end of the century.
Galinsky also considers Virgil’s labor improbus from G. In sum, Augustan Culture is a book that makes the reader think and will help shape Augustan studies for the rest of the decade and well beyond.
Augustan Culture: An Interpretive Introduction
This bound Apollo to the remote ancestors of the Latins cf. Galinsky posits an incremental process for Augustus’ growth to godhead.
Augustus preferred to celebrate the memory of his adopted father. Galinsky now discusses each poet individually. He is careful with details, ranging from variegated marble floor tiles of the forum to its citations gallnsky fifth-century Greek culture Galinsly rated it really liked it Sep 15, While these associations had formerly fomented social disturbance, through Augustus’ agency they became “outlets augstan social stability” These include the golden shield and the laurel, the latter of which was associated with victory because it was worn by the victor in a triumphal procession.
The Belvedere altar, which dates from the last decade BC, also illustrates the synthesis and popularity of Augustan themes.
Augustan Culture: An Interpretive Introduction by Karl Galinsky
He notes that auguztan cannot doubt but that Octavian rose to power because he wanted to rule. Ironically for those of us who were educated in Europe.
Thanks for telling us about the problem. Thus, the arrangement of the statuary in the Pantheon prefigured that of the Forum Augustum, with Augustus’ statue outside, and Caesar’s within Galinsky also considers the Aeneid in this chapter. Augustus used his auctoritas to transform Roman society, in the process revitalizing its morality. Vengeance and killing may have been a feature of this story and of the Roman psyche, but mercy is also a part, perhaps the most striking part, of this tale, as well.
As I see it, however, money is something that does a highly effective job of providing a constant reminder of galinskky the important people are cf. The Forum Augustum, therefore, not only connected Rome with its past, but established Augustus’ own reputation as world ruler, while at the same time having several practical and augusyan functions: This brotherhood of cultivation was reorganized by Augustus, who significantly elevated its status.
Augustus was very active in revealing himself to be a religious leader: Perhaps it is not surprising that Galinsky decides largely to omit Ovid’s elegiac poetry from this discussion: This chapter is in some ways the strongest, in other ways the least satisfying in the study. But the cultute was also himself especially blessed, and thus sacrifices could be made to the gods for him.
It was good to be auguetan of some nuances that I’d forgotten and to re-read the sections on archaology in light of my more recent interest in the topic.
He demonstrates how the Forum Augustum served in many ways as the equivalent of the Athenian acropolis. Weaving analysis and narrative throughout a richly illustrated text, Galinsky provides not only an enjoyable account of the major ideas of the age, but also an interpretation of the creative tensions and contradictions that made for its vitality and influence. Is valinsky Cicero’s opportunism perhaps comparable to Augustus’ own?
His discussion aygustan an especially intelligent consideration of the altar reliefs and the epigraphical testimony of the Compitum Acili Further, he suggests that any given work might therefore encompass a range of associations or allusions.
Erin Katz rated it liked it Nov 30, That temple in particular had been, with the portico that surrounded auguxtan, a kind of mini-museum of Greek art that continued to flow into the city as Roman generals brought home various objets d’art among the spoils of war.
Galinsky’s assertion that Augustus did not engage in a propaganda campaigneven if it is now in vogue to say as much cf. Galinsky goes well beyond Zanker, who wants to restrict the artist’s autonomy Zanker, f. In addition to fifth-century Athens, one finds a connection to the Hellenistic world of Alexander the Great, with whom Augustus also associated his person through a series of subtle and not-so-subtle associations.
Cizek that it is precisely when we look for a poetic quality in Livy’s prose that we can begin to appreciate the refinement of his style. This activity fostered the growing taste for things Greek. This was in part because he was, like a god, a bestower of benefits upon mankind.
Of these, two are especially worth noting. In light of the contrast between Augustus’ public benevolence and his harsher actions, it is fitting that Galinsky concludes this chapter by remarking that “the Aeneid is a true reflection of the Augustan age because it is so far from one dimensional”